PRO TOOLS DELAY COMPENSATION HOW TO
PRO TOOLS DELAY COMPENSATION PRO

PRO TOOLS DELAY COMPENSATION PRO

The first and last sections of that journey will be the same in every case, because they are down to your interface setup, and Pro Tools will compensate for them automatically.

The audio has to travel out of the interfaceвЂ™s output buffer and D-A converter, through the hardware processor, back through the interfaceвЂ™s D-A converter and input buffer and into Pro Tools. Sending audio to and from an external processor takes time. You can simply send from source tracks directly to the hardware output that feeds the reverb, and use an aux track as an effects return, picking up the inputs to which the reverbвЂ™s outputs are connected. When using auxiliary effects units such as reverb and delay, thereвЂ™s no need to match hardware inputs and outputs unless you want to use them as inserts, as described above. To bring the hardware insert back into action, right-click again and select Make Active. The hardware insert name will be italicised and the insert on the track will be greyed out. If you want to bypass a hardware insert, the way to do it is to make the insert inactive: right-click on the insert name and choose Make Inactive. Once set up, hardware inserts are available from the same menu thatвЂ™s used to select plug-ins.Note that a hardware insert does not have a bypass button - bypass buttons for plug-ins are actually part of the plug-in, not the mixer insert. You will also see the two renamed inserts Hardware EQ 1 and Hardware EQ 2. In this screen, youвЂ™ll see that the two options B1 and B2 are yellow, which means those inputs or outputs are in use in the current session. You will see all the interface I/O that can be used for inserts. To use a hardware insert, click on one of the insert points on a track, but instead of selecting a plug-in, go to the bottom of the list and choose I/O. The mono sub-paths, accessed by clicking on the little triangle, will be automatically renamed вЂHardware EQ.LвЂ™ and вЂHardware EQ.RвЂ™, but I can use the same process to rename them вЂHardware EQ 1вЂ™ and вЂHardware EQ 2вЂ™. Double-clicking on the stereo insert will enable me to label them both at once: in this case I am renaming вЂB 5-6вЂ™ to вЂHardware EQвЂ™. In the screenshot, I am going to allocate channels 5 and 6 on my HD I/O for use with my hardware EQ. Hardware insert points can be named in the Insert tab of the Pro Tools I/O window. I always prefer to label my inputs and outputs, and naming them according to the devices that are routed to those inputs and outputs saves me having to remember what is connected to what. This is because of the way the Inserts tab of the Pro Tools I/O window is configured you cannot configure insert send and returns to be on non-matching I/O. For example, if you want to send audio to a hardware compressor on output 5, the output of the compressor must come back into Pro Tools on Input 5.

When using your interface I/O as insert points for hardware units, it is essential that you use matching numbered inputs and outputs. But before we get into all that, letвЂ™s look at the mechanics of getting an outboard dynamics processor and reverb unit hooked up to Pro Tools. The good news is that the Avid Audio Engine introduced in Pro Tools 11 has streamlined the use of delay compensation, which is vital when youвЂ™re using your interface to route audio out to a hardware processor and back into Pro Tools.

PRO TOOLS DELAY COMPENSATION HOW TO

In this monthвЂ™s Pro Tools workshop we will be looking at how to integrate hardware effects units into Pro Tools and use delay compensation to adjust for any latency involved in sending signals to and from them.ДЄlthough most of us are doing more and more вЂin the boxвЂ™ these days, using plug-ins for processing, plenty of people also want to use hardware effects units and processors within their Pro Tools mixes, either because there isnвЂ™t a plug-in equivalent or because the hardware just sounds better. Before and after: renaming my hardware inserts to reflect what theyвЂ™re connected to makes life a lot easier.Д«ring a new dimension to your Pro Tools mixes by integrating outboard hardware.

Pro tools delay compensation